简介：可怜的今泉慎太郎（西村雅彦 饰）

，由于饱受精神和肉体的折磨，最终令自律神经失调症进一步加重

。为了治疗病症
，他报名拜入前卫花道家二叶凤翠（山口智子 饰）的门下学习插花和舞蹈。凤翠原是花道家二叶凤水（長内美那子 饰）的得意门生，后因自立门户致令师徒失和
。凤翠在花道的基础上融合了舞蹈的表现形式，引起了广泛的关注，她准备举行一次表演，而一向表现糟糕的今泉竟然被选中参加演出。发布会期间

，凤水前来道贺，师徒的关系似乎出现缓和的态势
，然而凤翠却试图趁机杀死这个对自己有着颇多微词的师父。适逢古畑任三郎（田村正和 饰）前来观看今泉的表演，他成为了这起杀人案件的见证者……　　本片为《古畑任三郎》系列最受好评的SP

，收视率34.4%
。

简介：传闻龙岭迷窟中出土过龙骨异文
，Shirley杨前往调查遇到胡八一等人，在幽灵空冢一探究竟
，胡八一询问红斑之事
，Shirley杨道出当年鹧鸪哨的故事。自精绝古城回来Shirley杨带陈教授回美国治疗，发现背上长出眼球状的红斑。胡八一与王胖子
、大金牙前往古蓝县进货，遇到Shirley杨。随后四人进到一座幽灵冢寻找无果，险些葬于人面蜘蛛的果腹。出来后
，胡八一和王胖子也长出红斑，Shirley杨拿着外公鹧鸪哨的笔记，告诉他们黑水城的通天大佛寺中，也许藏有解开红斑诅咒的关键雮尘珠。在他们进到寺内，对抗黑玉邪神时发现藏宝箱，里面究竟藏着雮尘珠，还是其他宝物？而想要打开宝箱

，就要拿到由黑玉邪神守护的钥匙
。

简介：某年，在澳大利亚举行的阿贝尔数学奖颁奖典礼
，将最高殊荣同时授予了一对合作多年的伙伴二本松晋（阵内孝则 饰）和野田茂男（田口浩正 饰）。二人貌合神离，芥蒂丛生，野田早已看不惯二本松夸夸其谈实则没有真才实学的嘴脸
，可有被迫与之搭档
，分享本该属于自己的荣誉。他和妻子（水野真纪 饰）的婚姻也已名存实亡，妻子则与二本松暗度陈仓
。获奖当夜
，野田与妻子争执的过程中撞到头部，不省人事
。二本松迅速将其伪装成酒后从楼梯跌倒摔死的假象
。在此期间，他意外结识了来澳大利亚度假的古畑任三郎（田村正和 饰）和今泉（西村雅彦 饰）
。更令他想不到的是来自于野田消失的尸体以及随后足以震惊数学界的伟大发现
。自私、贪婪，泯灭人性……　　本片为《古畑任三郎》系列第一部SP。

简介：江长与明朝两位太子、顺治大师等人决心反清复明
，江长掌握着反清义士的名ccc。莲花客多次出手保护江长及家人安全。戴莫因嫉妒江长之女与忠阳的恋情，假扮莲花客行凶栽赃真莲花客忠阳，终被忠阳铲除
。

简介：影片将干将莫邪之间坚贞不渝的爱情、眉间赤与山中客之间的侠义之情进行融合
，同时还将铸剑及恢弘的武侠世界进行呈现。

简介：经过生死考验的新免武藏（三船敏郎 饰）在僧人泽庵（尾上九郎又兵卫 饰）的举荐下侍奉大名，并更名宫本武藏
。为了磨练意志和武艺，他离开等待自己的阿通（八千草薰 饰）
，四处云游挑战强者
。　　一路上打败诸多高手的武藏挑战吉冈拳法道场
，适逢馆主清十郎（平田昭彦 饰）外出
，内中徒众一一落败，武藏留下挑战书扬长而去。然吉冈徒众怀恨在心
，几番设计谋害武藏，皆被破解。而另一方面，武藏却与阔别已久的阿通和朱实（冈田茉莉子 饰）不期而遇
，刀光剑影中，武藏对爱情作出了断
，也完成了和宿敌佐佐木小次郎（鶴田浩二 饰）的初次相逢……

简介：讲述主角・井之头五郎（松重丰），将会在北海道有两天一夜的旅行。原本前往筑地工作的他，受到客户的委托，希望他能协助将东西送给住在北海道的亲人，如此展开了本次的故事。

简介
：孫中山先生建立民國後，革命事業尚在進行
，而孫中山先生下半生的事蹟1922年陳炯明叛變，孫先生被圍奧秀樓，後再困於黃埔永豐艦，幾番遇險深見軍閥驕橫
，其後孫先生成立黃埔軍校，培育青年棟樑
，始北上與軍閥周旋，可惜未竟全功，心力交瘁
，於1925年病歿。

简介

：在相当短的一段时间内，接二连三的死者出现，这些看似意外死亡且彼此没有任何联系的人们，肛门处全都藏着预示了凶相的神签
。案情扑朔迷离，万般无奈之下
，芳贺长官（白井晃 饰）命令负责此案的刑警西园寺守（石井正则 饰）请业已离职的古畑任三郎（田村正和 饰）出山。以此为契机，古畑、今泉（西村雅彦 饰）、向岛（小林隆 饰）这一经典组合重新聚首
。当西园寺和今泉还在胡乱猜测此案的共通点时，古畑却已敏锐地将目光锁定在负责验尸黑岩健吾博士（绪形拳 饰）的身上。沉稳阴郁
、老练圆滑的黑岩博士此番引火烧身的背后目的究竟为何？　　本片为《古畑任三郎》系列第四部SP。

简介：本片根据安妮·巴罗斯
、玛丽·安·谢弗同名小说改编
。故事构建于二战后
，讲述作家朱丽叶·艾什顿(莉莉·詹姆斯饰)与“根西岛文学与土豆皮馅饼俱乐部”之间互相了解并熟知的故事
。

简介：钵兰街的大姐大洪兴十三妹（吴君如饰）从东星混混花弗（敖志君饰）手中救回女友SASA（植敬雯饰）。不料SASA早暗地里与花弗串通陷害十三妹，十三妹一怒之下对其家法处置
。属下韩宾（尹阳明）一直对十三妹忠心耿耿，更把爱意放在心底。一次韩宾陪同十三妹拜祭亡父阿达（吴孟达饰），遂让十三妹回忆起昔年往事
。　　十三妹原名崔小小
，其父是洪兴一名小混混，她与好友张美润（杨恭如）整日混迹于玻澜街
，一起为东星打手卓可乐（方中信）神魂颠倒。岂料恶霸咸湿（程东）杀死了吹水达，十三妹决定为父报仇……

简介
：宿命的相逢之后，佐佐木小次郎（鶴田浩二 饰）苦练技艺
，一心打败宫本武藏（三船敏郎 饰）。这之后
，小次郎来至江户谋求官职，期间与同在江户的武藏邂逅，两人约定东门决斗。然决斗前夜，武藏致信请求将决斗延期一年
。次日武藏和城太郎（樱井将纪 饰）、熊五郎（田中春男 饰）旅行来至乡下，师徒三人一面锄地耕作
，一面教习农民武艺
，抵抗土匪。　　这期间阿通（八千草薰 饰）和朱实（冈田茉莉子 饰）先后来此寻找武藏
，朱实更在匪乱中不幸丧命。一年后，小次郎成为细川家臣，岩流岛将成为他和武藏的命运转折点……

简介：“野赛路人王”-吴邹邹在网吧被曾经的电竞扫地僧-西门意外发现，为了夺回曾经的荣耀，西门用奖金全部归吴邹邹的条件成功拉拢吴邹邹加入自己的战队
。喜得主角光环的队友们看到的却是一个对训练丝毫不上心的吊儿郎当男，校花姜晓璐的跟踪下，她发现吴邹邹从不训练的自大表现实际上是受家中病妹的条件所迫。妹妹的医药费迫使吴邹邹赌赛赚钱，吴邹邹加入deep战队也是因为高额奖金的诱惑，得知这个情况的还不仅仅是校花队友姜晓璐
，还有背后来自外太空的神秘人X。　　X为了赢得比赛
，用金钱诱惑吴邹邹就范，本就是为了医药费的吴邹邹会如何选择？他又将怎么面对队友和艰苦拿到的决赛权？面对开挂的作弊对手deep又该如何破局？

简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.　　These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.　　Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.　　Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.　　Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.　　The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.　　Our camera has captured for you a few aspects of a provisional microsociety.　　The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.　　This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.　　The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...　　Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�　　Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.　　Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.　　On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.　　Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.　　Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.　　Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.　　Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.　　The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.　　What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.　　Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.　　Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.　　Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.　　Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.　　Voice 2 Years, like a single instant prolonged to this point, come to an end.　　Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.　　Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept　　Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.　　Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.　　Voice 1 Really hard to drink more.　　Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.　　Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.　　Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.　　The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.　　To really describe this era it would no doubt be necessary to show many other things. But what would be the point　　Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.　　1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.

简介：When a mysterious figure starts to target State Alchemists for their sins against God, Alchemist Edward Elric and his brother Alphonse are at their most vulnerable, meanwhile the homunculi begin to unveil themselves once again.

简介：《古镇情缘》描述的是一场发生在珠三角一座城市

、围绕祖屋的存与没而引发的爱情故事
。影片以一个年轻华侨回到离开了二十多年的故乡为引子，牵扯出他与三位女主角之间或缠绵或无奈的爱恨纠葛。伊能静扮演女园艺师叶贝，将和另外两位女孩上演复杂的“夺夫大战”。　　男主人公杨钧少年时随家人到秘鲁生活

，转眼三十多岁了，事业生活多不如意。杨均回到故乡打算卖掉祖屋以图再起，不料故土情怀促使他改变初衷，做出留在家乡的决定

。已长大成人的邻家女孩园艺师叶贝对这位儿时的大哥哥一见倾心，他也为叶贝浑身洋溢的青春气息所吸引
，双双坠入爱河；而他的初恋情人
、现已成为灯饰集团老总的欧妙娟婚姻破裂、感情空寂，面对昔日恋人一心想再续前缘。两个女人于是展开激烈的争夺大战。更有趣的是
，一个火热的秘鲁女孩万里追赶，加入搅局
，使这场情感戏变得更加扑朔迷离，云团万象。处在漩涡中的杨钧如何选择，戏如何收场……

简介
：Follows Raquel and Ares as they face challenges in the next chapter of their relationship and their individual lives.

简介
：24岁的富家小姐阿曼达患有交友障碍症，她决定找到童年好友瑞贝卡重拾昔日友谊
。本片是意大利导演卡罗琳娜·卡瓦利自编自导的长片处女作，通过旁白自述拉开主角与周遭间的隔阂，以堂·吉诃德式的怪诞叙事细腻呈现两个“垮掉一代”少女的人生危机
，藉由眼神流转和肢体动作的大特写、在明快艳丽的色调陪衬下，借助女孩的友谊击碎现实生活的冰冷与伪善
。贝内黛塔·波尔卡罗利（《完美陌生人》）饰演主角，灵动诠释古怪少女的脆弱与坚强。荣获2022年维勒吕意大利电影节评委会奖最佳影片奖。

简介：工藤新一（小栗旬）这晚收到挑战书，称将有他的同学在修学旅行的船上被绑架
，若新一不能保护好同学

，须让出“高中生名侦探”的称号。新一本对修学旅行没兴趣，这封信令他次日赶到学校与小兰（黒川智花）、园子（岩佐真悠子）及班里另外约30名同学会合
。众人刚登上旅行用船，新一即把目光投向代理班主任北岛慎吾（ふかわりょう）
、导游西田麻衣（水川あさみ）
、船长东邦夫（松重丰）及船员南田恭介（西村和彦）等人，时刻保持着警惕。但园子仍神不知鬼不觉失踪。着手调查尚无头绪
，他再接绑架预告电话。©豆瓣

简介
：电影讲述在辗转于菲律宾非法体育场的拳击选手马可（姜泰柱 饰）面前
，出现了身份不明的男子“贵公子”（金宣虎 饰）和具有不同目的的势力，并展开疯狂追击的故事
。

简介
：由美国帕洛玛影片公司出品
，导演悉尼．波拉克。三十年代初
，正值美国经济大萧条时期

，洛基为好莱坞举办百对舞蹈选手马拉松大赛
，在这些选手中

，每个人的目的不同
，有的为了赚钱，有的为了能上电影，有的则感到无聊才来参赛
。几个星期过去了，几对主要竞争者都遇到了不同的意外问题……　　影片以写实的手法
，通过反映各色人物的心理
，表现出美国社会存在的矛盾。纵观整个影片，情节安排

、技巧处理、演员的表演都算是出色的
，曾获第42届（1969）最佳导演等9项提名，结果只获得最佳男配角1项金像奖。

简介：An amateur camper stumbles across a kidnapping gone wrong, a jailhouse rendezvous, a double-cross, or a revenge plot, depending on which desperate character is misinterpreting the story - a puzzle thrill-ride told with no dialogue.

简介
：When Harley joins her new boyfriend for a long Halloween weekend at his country estate, they're invaded by a band of masked freaks and forced to play a Wicked Game. To the intruders' unpleasant surprise, Harley's hard-boiled history has endowed her with a bag of tricks which give the game a surprise ending.

简介：故事发生在1996年之前的香港，女主雪莉在自己的婚礼现场遭遇劫匪挟持，并目睹丈夫死于匪徒枪下。无法走出阴霾的她现于一家射箭馆任职。台风之夜


，她意外滞留楼内
，目击同一帮匪徒在大厦内杀人，她也不慎暴露了自己的踪迹
，在惊惶不安的逃亡过程中，她意外遇到了同为滞留者的盲眼老人南哥，两人一边抵抗匪徒的无情追杀
，一边设法逃离这栋噩梦般的大厦。然而穷凶极恶的匪徒竟要杀人灭口

，雪莉与南哥在信号中断

、出口全部被封的大楼内，苦苦找寻着活下去的办法……

简介
：一个家庭三代人的故事，从二战的超现实记忆到现代的柏林

，他们处于一个仍在应对历史创伤的社会中，无法处理自己过往的经历。

简介：艾米丽（菲比·黛内芙 Phoebe Dynevor 饰）和卢克（阿尔登·埃伦瑞奇 Alden Ehrenreich 饰）是一对事业蒸蒸日上的伴侣。他们在同一家竞争残酷的对冲基金工作，两人的关系对外保密
，当艾米丽得到晋升且超越卢克后
，两人之间的关系产生了不可逆的转变
。

简介
：14-year-old Jimmy (played by Tyrell Williams) practices kung fu. For the lion dance, which is performed out on the streets, he is determined to hold the head of the lion. But when his teacher, the sifu, announces the new crew, his dream comes crashing down. He has to make do with the tail end, while the talented newcomer Li Jié (Haye Lee) is given the coveted place. Jimmy does ...